Beyond Borders: Understanding Globalization Through Culture --- Lim Yebin
1. Summary
According to Tomlinson, globalization cannot be reduced to economics or politics alone; it is fundamentally a cultural process. He emphasizes the idea of deterritorialization—that culture is no longer confined to geographical boundaries but circulates through migration, media, and technology. Importantly, globalization is not simply “Westernization.” Local societies adapt and transform outside influences, creating hybrid forms that are both global and local.
This connects with the broader academic debate. Pieterse (1993), for example, frames globalization as hybridization, where cultural flows do not erase difference but instead produce new cultural mixtures. This perspective highlights how globalization is not just convergence, but also creative recombination.
In lecture, the professor echoed these points: globalization should not be seen only as homogenization, but as a process that simultaneously generates similarities and differences. He also emphasized the challenge of measurement: while students suggested Netflix data as a way to quantify cultural flows, the professor noted that such data are usually inaccessible, reminding us that culture is harder to quantify than economics or trade. Instead, tools like the World Values Survey reveal how trust, democracy, or traditions vary across countries, showing that globalization reshapes values unevenly.
Together, Tomlinson, Pieterse, and the lecture suggest that globalization is best understood as an interactive exchange—cultures borrowing, reshaping, and negotiating with one another. This means globalization does not erase cultural identity but constantly redefines it.
2. Insights or Interesting Points
I understand globalization mainly through the lens of cultural exchange. To me, globalization is the extent to which societies adopt and adapt aspects of each other’s lifestyles and practices. It should not be framed only as “homogenization versus heterogenization,” but as a dual process where both convergence and divergence occur. For example, K-pop blends Western pop structures with Korean aesthetics and narratives, creating a hybrid form that resonates globally. Likewise, Korean food has spread worldwide, yet it adapts to local tastes—Korean fried chicken in the U.S. is often seasoned differently. These cases illustrate the professor’s point that globalization is not a one-way street but an ongoing negotiation between global and local.At the same time, studying globalization makes me realize how limited my cultural perspective can be. I often feel like a frog in a well—not fully understanding either Korea or the world. While global media frames China as a country lacking freedom of expression, Chinese citizens may not perceive it that way. What seems like censorship to outsiders may be considered “normal” internally. This connects with the professor’s caution that our views are often ethnocentric unless grounded in data. Similarly, I question whether the Korean Wave (Hallyu) is truly as dominant abroad as it feels inside Korea. From the outside, its impact may be smaller than Koreans assume. These reflections show that globalization is not only about cultural flows but also about perceptions of culture.
3. Questions or Critiques
A major question I have is whether globalization will preserve or dilute traditional cultures. On one hand, globalization gives smaller cultures a chance to be recognized globally. On the other hand, they risk being absorbed by dominant global trends. This uncertainty is both unsettling and fascinating, echoing the professor’s point that globalization is measurable but never complete.I also think cultural export does not automatically equal cultural openness. Japan is globally known for anime, yet outside this sphere, it tends to preserve tradition and limit external influence. By contrast, Korea appears more open to importing and adapting outside cultures despite political constraints. This suggests that globalization should also be measured by the willingness to embrace external cultures, not just by export volume.
Finally, I wonder whether we sometimes overestimate globalization’s depth. Watching a drama or trying foreign food does not guarantee a deep understanding of another culture’s values. As the professor noted, surface-level cultural flows are easier to measure, but deeper value shifts are harder to capture. Still, even surface interactions can spark curiosity and become an entry point for more meaningful cultural learning.
* References
Tomlinson, J. (1999). Globalization and Culture. University of Chicago Press.Konieczny, P. (2025, September 22). Media Trends and Globalization [Lecture]. Hanyang University, ERICA Campus.
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